The 47-year-old Mexican sculptor and conceptualist Gabriel Orozco is easily the best artist to have emerged on the era’s global biennial circuit—a milieu whose chaotic demands for theatrical pizzazz and political virtue have wrecked innumerable promising talents, says The New Yorker's Peter Schjeldahl ... read more
Also on this issue:
Slicing a Car, Fusing Bicycles and Turning Ideas Into Art, By Holland Cotter (The New York Times)
Don’t Knock the White Box, By Andrew Russeth (Artinfo)
Much Ado About Gabriel Orozco, By Steve Pulimood (Art in America)
Gabriel Orozco: The Art of the Ready Made, Kate Taylor (WNYC)
Gabriel Meets The Globe, By Charlie Finch (Aesthetica - ArtNet)
MoMA Organizes First Major Museum Retrospective of Contemporary Artist Gabriel Orozco (Artdaily.org)
A Whale of a Return to MoMA, By Deborah Sontag (NYTimes)
An Artist's Return (NYTimes Arts)
Gabriel Orozco at MoMA (Designboom)
Don’t Knock the White Box, By Andrew Russeth (Artinfo)
Much Ado About Gabriel Orozco, By Steve Pulimood (Art in America)
Gabriel Orozco: The Art of the Ready Made, Kate Taylor (WNYC)
Gabriel Meets The Globe, By Charlie Finch (Aesthetica - ArtNet)
MoMA Organizes First Major Museum Retrospective of Contemporary Artist Gabriel Orozco (Artdaily.org)
A Whale of a Return to MoMA, By Deborah Sontag (NYTimes)
An Artist's Return (NYTimes Arts)
Gabriel Orozco at MoMA (Designboom)
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