The title character from “The Capeman,” Paul Simon's musical retelling of a street-gang murder from 1959, seemed anything but at home when he showed up on Broadway in 1998 in a big, stultifying musical that seemed both overdirected and directionless. Yet on Monday night, at the Delacorte Theater in Central Park, the fictional reincarnation of Salvador Agrón ... appeared to be utterly in his element ... read more
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